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My compositions later became more like those of the early Romantic period, in that they emphasized strong harmonies and cantabile melodies.Finale NotePad is a wonderful music notation software for beginning musicians. Though this piece turned out surprisingly well for a first composition, I later decided that I did not like the Baroque style it was too bombastic with too many flourishes and not enough emotional depth. I still consider it one piece, as I composed all three movements on the same day with the intent of creating a sonata from them. I eventually split the "Sonata in E" into three distinct pieces, as the first movement ("Cantabile") sounded Classical, the second ("Intermezzo") sounded Romantic, and the third (this piece) sounded Baroque. And that was when we started playing Bach's two-part inventions. Oddly enough, this resembles a few of Bach's Two-Part Inventions, but I wrote it before listening to a single Baroque song! My piano instructor jokingly stated that I had "invented the fugue", and I quickly changed the name of the piece. My first composition, written in e minor and originally titled "Sonata in E - Allegro". and then, slowly, the other instruments return, uplifting the oboe and driving the piece joyously home. How can it bring the piece to a close on its own? It morosely begins to fade. after a glorious full-orchestra tutti, the strings and horns fade into the background, and the oboe finds itself alone. True to the theme, the majority of the piece is uplifting, but the conclusion is quite moving. The orchestral version of this piece has a vast dynamic range and really captures what I wanted to express. I revisited this piece on Jand completed the orchestration by July 29. As a result, it is usually possible to infer the mood of the pianist after hearing this piece. This piece is also interesting because its mood can range from joyous to melancholy depending on nothing but dynamic balance, which is somewhat subjective. This piece fits the beginning of the day well, and is often the first thing that I play every morning. Documents Order by:Ī gentle, joyous piece in A Major, After the Storm was composed to capture the feeling of a new beginning.
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Please feel free to interpret any of my pieces as you see fit in performance. My current musical projects include a collection of pastorales and “The Chronicles of Thomas Covenant” suite, inspired by the powerful stories of the same name by Stephen R. On the other hand, you may not use the pieces in version control in any manner other than personal listening without my prior permission. However, if you wish to use the pieces commercially, you must contact me first. You may freely use and distribute the pieces on this page noncommercially. Please note that you will need either Finale Viewer or Finale Notepad, both freely available from, to view Finale files. This section is more for the casual reader than an interviewer, as music has little relevance to my field. I make no guarantees about the stuff in version control.
Works that appear on the page you are reading are more or less finished. These are linked directly from a Subversion repository containing all of my pieces in various states of completion (many are either abandoned works of yore or simple themes that I hope to expand upon later). I have written several compositions I show a few of them here. I began to take an interest in music, specifically the piano, in September of 2002, at about the same time that I began attending Monmouth University. Welcome to the music page of my portfolio! Here I post my musical achievements.
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